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![]() ![]() ![]() It will also help you recognize incorrect notes because you will know when they don't fit in with the Tonal Center of the piece. Once you know them you won't even have to refer to the chart anymore because you'll know that when you see 4 sharps in your key signature that you're either in E Major or C# Minor. Understand Keys: This is so important because music is based upon all of the different keys in this chart.Here is what this amazing chart is going to help you do: Do you wonder why we even call this the Circle of Fifths and not the Circle of Thirds or Sevenths? Let's find out! ![]() There are a lot of Fifths in this discussion. Whichever notes are marked as being flat or sharp on your Circle of Fifths chart will always be played that way in your piece or exercise unless otherwise noted in your music. If you're not sure what mode it is in, try playing the first few measures and if it has more of a sad sound, then you'll be playing in the minor key instead of the major one. Make sure you check both the Major and Minor Keys when determining the key signature of your own piece. Then, just look at how many sharps or flats you have in your music and compare that with your Circle of Fifths to find out what key you are playing in. It is so easy to know your minor key signatures once you grasp this connection!Īnytime you look at a piano piece or exercise, make sure you have this Circle of Fifths nearby. This means that the Key of A Minor has the exact same key signature that C Major does. They are listed next to the Major Key that is called their Relative Major. This is because they are really the same note when you play them on the piano keyboard.Īs you keep going around the circle you start going through the Flat keys and the reverse happens here the number of flats decreases as you go back toward your original starting point which was the Key of C.Īll of these keys that are in the outside circle are Major Keys.ĭo you see the ones on the inside of the circle? Those are the Minor Keys. If you notice the bottom 3 notes, B, F#, & Db share their little space with another note. Notice how each new key has one more sharp than the one before it? Keep going in the same direction onto D, A, E, etc. Next move clockwise to the right and we come to G. Notice how C has no sharps or flats associated with it. ![]()
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